Spanish Art Song About a Girl Talking to Her Mother About a Boy Who Loves Her
| Talk to Her | |
|---|---|
 United states theatrical release poster | |
| Directed by | Pedro Almodóvar |
| Written by | Pedro Almodóvar |
| Produced by | Agustín Almodóvar Michel Ruben |
| Starring |
|
| Cinematography | Javier Aguirresarobe |
| Edited by | José Salcedo |
| Music past | Alberto Iglesias |
| Production | El Deseo S.A. |
| Distributed by | Warner Sogefilms |
| Release dates |
|
| Running fourth dimension | 112 minutes |
| Land | Spain |
| Language | Spanish |
| Box role | $51 million[1] |
Talk to Her (Spanish: Hable con ella) is a 2002 Spanish drama written and directed past Pedro Almodóvar, and starring Javier Cámara, Darío Grandinetti, Leonor Watling, Geraldine Chaplin, and Rosario Flores. The film follows 2 men who form an unlikely friendship as they care for two women who are both in comas.
The film was a critical and commercial success, winning the BAFTA for Best Film Not in the English Language and the Golden World for Best Foreign Language Flick while Almodóvar won the Academy Laurels for Best Original Screenplay. It is by and large regarded as ane of the best films of the 2000s.[two]
Plot [edit]
The story unfolds in flashbacks, giving details of two separate relationships that become intertwined.
At a performance of Café Müller, a dance-theatre piece by Pina Bausch, Benigno Martín and Marco Zuluaga are seated adjacent to each other. They are strangers, but Benigno notices the tears on Marco's face at ane point during the performance.
Marco is a journalist and travel writer who sees a Television interview with Lydia González, a famous matador. He thinks that an commodity about her would be interesting and contacts her in a bar, where she asks him to accept her habitation. The news that she has broken up with her fellow "el Niño de Valencia", another matador, has been all over the tabloids. When Marco confesses that he is a journalist who knows nothing almost bullfighting, she becomes angry and abruptly exits his car outside her business firm. He starts to drive off but stops when he hears a scream from inside her house. Lydia rushes out and gets into his car. Marco goes inside to kill the ophidian, an deed that leaves him weeping. Having shared some vulnerability, they become friends and, later on on, lovers. Marco attends a wedding and is surprised to see Lydia there, since she had said that she did not desire to go. The nuptials is that of Marco'southward former fiancée, Ángela, who had the same phobia of snakes as Lydia; Marco had been very much in love with Ángela and had difficulty getting over her, which was why he wept over things he could not share with her. Lydia says that she has something important to say, but she prefers to expect until afterward the bullfight that afternoon, during which she is gored and becomes asleep. Marco remains by her side at the hospital and befriends Benigno, who recognizes him from the theatre performance. A doctor tells Marco that, while there are miracle-stories of people who accept come out of comas, there is no reason for him to remain hopeful about Lydia.
Benigno is obsessed with Alicia Roncero, a beautiful dancer whom he watches practicing in the studio that he tin can see into from the apartment where he lives with his invalid mother. To care for her, he became a nurse and a beautician. After his mother dies, he finds the courage to talk to Alicia when she drops her wallet on the street. As they walk to her business firm, she talks nearly dancing and her enjoyment of silent black and white films. When she enters her building, Benigno notices that it is also the office of Dr. Roncero, a psychiatrist. As a ruse to gain access to Alicia's apartment, Benigno makes an appointment to come across the doctor. In response to the doctor'due south questions, Benigno talks about the years he cared for his mother and says that he is lonely and a virgin. Afterward, a shocked Alicia sees him leaving her room, from which he has taken a hair prune. That night she is struck by a automobile and becomes comatose. In the infirmary, where Benigno is assigned to treat Alicia, he talks to her as if she were awake and brings her dancing and silent pic mementos. He tells Marco that he should talk to Lydia because, fifty-fifty when in a coma, women understand men's bug. In response to Dr. Roncero's questioning, Benigno says that he is gay, presumably so that the md volition non be suspicious of his intimate care of Alicia.
"El Niño de Valencia," whom Marco finds in Lydia's room i day, tells Marco that Lydia and he had reconciled, that before the goring incident she intended to tell Marco that. He besides says that, now that he has recovered from his own injuries, he should be the one attention to Lydia. Marco goes into Alicia'due south room and starts opening his middle to her. When Benigno appears, he tells Marco that he ever idea Marco and Lydia would separate. A nurse expresses concern that Alicia has non had a period in ii months and appears bloated. In the hospital parking lot, Benigno tells Marco of his desire to marry Alicia. Marco is taken aback, pointing out that Alicia cannot limited her will in whatsoever way. Benigno remains unpersuaded.
The hospital staff notice that Alicia is pregnant considering she was raped. Further investigation reveals that her chart does not signal her missed period. Benigno admits to falsifying the chart and claims that he did this so as not to warning anyone, every bit other asleep patients take also missed their periods. Another orderly reports having overheard Benigno'due south conversation with Marco about wanting to marry Alicia.
Unaware of Alicia'southward pregnancy, Marco leaves for Jordan to write a travel book. Months later, he reads in a newspaper that Lydia has died without awakening from her blackout. When he calls the hospital to talk to Benigno, a nurse tells him that Benigno is in prison for Alicia's rape and urges him to return for Benigno'southward sake because "he has no one." Benigno, who has been denied data nearly Alicia since his imprisonment, asks Marco to find out what has happened to her. Marco stays in Benigno'due south apartment, from which he sees Alicia in the trip the light fantastic toe studio doing rehab exercises with her teacher, Katrina. From Benigno's lawyer, Marco learns that Alicia had a stillborn baby. The lawyer urges him not to tell Benigno about the baby or Alicia's recovery.
Marco, who adheres to this request, receives a voicemail from Benigno maxim that he cannot live without Alicia and has decided to "take off." Marco rushes to the prison, where Benigno has left him a good day letter. Benigno had written that he hopes to take only enough pills to leave him in a comatose land in which he can join Alicia. He asks Marco to talk to him and tell him everything. Marco visits Benigno's grave and tells him virtually the stillbirth and Alicia's recovery.
The moving picture ends in the theatre where it began, with Alicia and Katrina sitting a few rows behind Marco at the dance performance. During intermission, Alicia asks a distraught-looking Marco if he is alright. When the operation continues, Marco is seen turning back to wait at a grinning Alicia and, echoing a caption that had appeared for the couples "Marco y Lydia" and "Benigno y Alicia," the words "Marco y Alicia" appear on the screen.
Bandage [edit]
- Javier Cámara as Benigno Martín
- Darío Grandinetti as Marco Zuluaga
- Leonor Watling as Alicia Roncero
- Rosario Flores as Lydia González
- Mariola Fuentes as Rosa
- Geraldine Chaplin every bit Katerina Bilova
- Pina Bausch as herself dancing in Café Müller [iii]
- Malou Airaudo as 'Café Müller' dancer
- Caetano Veloso as himself singing "Cucurrucucú paloma" at a party
- Roberto Álvarez as Doctor
- Elena Anaya as Ángela
- Lola Dueñas as Matilde
- Adolfo Fernández every bit Niño de Valencia
- Ana Fernández as Lydia's sister
- Chus Lampreave as Caretaker
- Paz Vega equally Amparo (in silent film)
- Cecilia Roth as Political party guest (cameo)
- Marisa Paredes equally Party guest (cameo)
Reception [edit]
Critical response [edit]
On Rotten Tomatoes the motion-picture show has a "Certified Fresh" blessing rating of 91% based on reviews from 135 critics, and an average rating of 8.10/10. The website's consensus states: "Another masterful, compassionate work from Pedro Almodóvar".[iv] On Metacritic, the film has a weighted average score of 86 out of 100, based on reviews from 34 critics, indicating "universal acclaim".[five]
Roger Ebert of the Chicago Sun-Times gave it iv out of iv and wrote: "Combines improbable melodrama (gored bullfighters, comatose ballerinas) with subtly kinky bedside vigils and sensational denouements, and however at the finish, nosotros are undeniably touched."[vi] A.O. Scott of the New York Times named Talk to Her "The best movie of the twelvemonth".[7]
The motion picture grossed $9,285,469 in the Us and $41,716,081 internationally for a worldwide total of $51,001,550.[1]
Accolades [edit]
Talk to Her wasn't submitted as Spain's pick for the Academy Honor for Best Foreign Linguistic communication Film. Mondays in the Sun was selected instead.[8]
- Wins
- 2002 Academy Awards:
- Best Original Screenplay - Pedro Almodóvar
- Argentine Film Critics Association ("Silvery Condor"): Best Foreign Film
- 2003 BAFTA Awards:
- Best Motion picture Not in the English Linguistic communication
- Best Original Screenplay - Pedro Almodóvar
- 2003 Bangkok International Film Festival ("Golden Kinnaree Laurels"): Best Moving picture, Best Director - Pedro Almodóvar
- Bodil Awards: All-time Non-American Motion picture
- Bogey Awards: Bogey Honour
- Cinema Brazil Grand Prize: All-time Foreign Language Film
- Movie theatre Writers Circle Awards (Spain): Best Original Score - Alberto Iglesias
- Czech Lions: Best Strange Language Film
- 2003 César Awards: Best European union Motion picture
- European Film Awards: Best Film, Best Director (Pedro Almodóvar), Best Screenwriter - Pedro Almodóvar
- French Syndicate of Movie theatre Critics: Best Foreign Film
- 2003 Gilt Earth Awards:
- All-time Strange Language Picture
- Goya Awards (Spain): Best Original Score - Alberto Iglesias
- Los Angeles Film Critics Association: Best Director - Pedro Almodóvar
- Mexican Cinema Journalists ("Silver Goddess"): All-time Foreign Moving picture
- National Board of Review: All-time Strange Linguistic communication Moving-picture show
- Russian Gild of Film Critics ("Golden Aries"): Best Foreign Film
- Satellite Awards: All-time Move Picture show: Strange Language, All-time Original Screenplay - Pedro Almodóvar
- Sofia International Motion picture Festival: Audience Award – Best Pic
- Spanish Actors Union: Operation in a Pocket-sized Office: Female - Mariola Fuentes
- TIME Mag: Best Film
- Uruguayan Pic Critics Association: Best Flick (tie)
- Vancouver Motion picture Critics Circle: Best Foreign Film
- Nominations
- 2002 Academy Awards:
- Best Director - Pedro Almodóvar
- British Contained Film Awards: All-time Strange Film – Strange Language
- Circulate Film Critics Association Awards: All-time Foreign Linguistic communication Film
- Chicago Film Critics Clan: All-time Foreign Language Film
- David di Donatello Awards: Best Foreign Film
- European Film Awards: Best Actor (Javier Cámara), Best Cinematographer - Javier Aguirresarobe
- Satellite Awards: Best Director - Pedro Almodóvar
Legacy [edit]
In 2005, Fourth dimension magazine moving picture critics Richard Corliss and Richard Schickel included Talk to Her in their list of the All-Fourth dimension 100 Greatest Movies.[ix] Paul Schrader placed the pic at #46 on his canon of the 60 greatest films.[x] Sight & Audio magazine included the picture in its list of "xxx bang-up films of the 2000s".[11] In a 2016 BBC poll, critics voted the motion-picture show the 28th greatest since 2000.[12]
References [edit]
- ^ a b Talk to Her at Box Office Mojo
- ^ "TSPDT - 21st Century (Total List)". 7 March 2016. Retrieved 7 May 2016.
- ^ "Pedro Almodovar talks nigh Pina Bausch's influence on his films". Sadler's Wells. 2005. Retrieved 27 July 2015.
When I finished writing Talk To Her and looked at Pina's face up again, with her eyes closed, and at how she was dressed in a flimsy slip, her arms and hands outstretched, surrounded by obstacles (wooden tables and chairs), I had no doubt that it was the image which best represented the limbo in which my story'south protagonists lived.
- ^ "Talk to Her (2002)". Rotten Tomatoes . Retrieved 4 May 2020.
- ^ Talk to Her at Metacritic
- ^ Ebert, Roger (25 Dec 2002). "Talk to Her pic review & film summary (2002)". Chicago Sun-Times.
- ^ "Movie: the year in review". New York Times. 29 December 2002.
- ^ Fleet, Alfonso (21 January 2003). "Almodóvar monta al cine español en su Globo de Oro a la mejor película extranjera". abcplay. ABC.
- ^ Corliss, Richard (23 January 2012). "Talk to Her | All-TIME 100 Movies | Amusement". Time. Archived from the original on xi March 2010. Retrieved 3 Feb 2012.
- ^ Anderson, Jeffrey Chiliad. (14 November 2006). "Paul Schrader'due south Film Canon". Moviefone.com. Retrieved 7 May 2016.
- ^ "30 great films of the 2000s". bfi.org. 17 Jan 2020.
- ^ "The 21st century'southward 100 greatest films". BBC. 23 Baronial 2016. Retrieved 8 November 2016.
External links [edit]
- Talk to Her at IMDb
- Talk to Her at AllMovie
- Talk to Her at Box Office Mojo
- Talk to Her at Rotten Tomatoes
- Talk to Her at Metacritic
Source: https://en.wikipedia.org/wiki/Talk_to_Her
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